Education Flows Both Ways: An Inquiry into the Needs of Mam Speaking Newcomer Students

December 15, 2016

As Oakland Unified School District and other districts across the country experience an unprecedented influx of newcomer English Learners, even veteran teachers are left with a myriad of questions about the best way to support their students’ social-emotional and academic development. Marla Kamiya of Bridges Academy at Melrose participated in our Teachers of Newcomers inquiry group. Her inquiry began with an exploration of the best classroom placement for Mam speaking students from Guatemala and El Salvador, but led her to some important realizations about the relationship between newcomer families and schools. My school, Bridges Academy at Melrose, is experiencing a huge increase in Mam-speaking students over the last two years--an increase mirrored in many other Oakland schools as well. Mam is one of the Mayan languages spoken in the highlands of Guatemala and El Salvador. It is one of the 21 Mayan languages officially recognized by the government of Guatemala. In this last school year, 15 Mam speaking students enrolled in our kindergarten classes, bringing our schoolwide total of Mam-speaking students to approximately 50 students over 10% of our student population. These new students were all placed in our Spanish bilingual program. Our school’s bilingual program is an early exit program designed for native Spanish speakers, a program designed to build upon students’ primary language to transition them in English. Since these students were clearly not Spanish-speakers, my fellow kindergarten teacher, Bernadette Zermeno, and I decided to study this question: Does it best serve Mam-speaking newcomer students to be placed into our school’s bilingual program or would they be better served in our Sheltered English program? I envisioned a relatively straightforward path that would include learning more about the linguistic features of Mam, consideration of common underlying proficiencies among Mam, Spanish, and English that may affect second language acquisition, and interviewing Mam speaking parents regarding their desires for their children’s education. We hoped, in our words, “to establish a clear school policy and procedure regarding the placement of Mam-speaking students into the Spanish bilingual or Sheltered English program.” Instead, we learned much more about the importance of relationship building, of drawing these parents into an ongoing dialogue about school and their child’s education, and we received a quick education about how deeply these parents want their children to learn Spanish, based on their own experience of bilingualism/biculturalism in their home country. The Complexity of Language, Identity, and Experience In order to learn more about the Mam language, we reached out to, Dr. Lyle Campbell, an expert in Mayan languages.  

Beyond ‘OMG!’: Supporting Students in Annotating for Reading Success

November 17, 2016

As a 7th/8th grade Humanities teacher, I wonder a lot about what happens for students when they read. At the beginning of the year, when I asked students to annotate an article, I would usually receive a page saturated with yellow highlighter and a few symbols like happy/sad faces or question marks. While students had in fact annotated, their annotations did not reveal much about their thinking while they read. I began to wonder if this practice was really increasing their comprehension. I wanted to know the intricacies of their reading process: What do they do when they get stuck while reading? How do they know something is important? How do they know when they do/do not understand? How do they read for an academic purpose? With the support of Mills Teacher Scholars and my teaching partner, Eva Oliver, I chose to focus my Mills Teacher Scholars inquiry on annotation because I hoped it would provide a peek into the minds of my students as active, thinking readers and thus help me better understand how to support them to access and analyze complex texts. A first step in my inquiry was getting clear about what successful annotation looked like. Using a model student’s work, Eva and I ultimately winnowed our indicators of success for annotation to: Student uses selective highlighting Student's annotation reveals sense-making/comprehension Students's annotation serves an academic purpose like answering a historical question What Do I Say to the Text? It Doesn’t Talk Back! When asked to “talk to the text” or write notes in the margins, most students repeatedly asked, “What do I say to the text?” While they had no trouble highlighting, they often struggled to write a meaningful “talk to the text” that was more than a symbol, an “OMG!”, or a one-word question. One student even cheekily quipped, “I tried talking to the text, but it doesn’t talk back!” However, I found that when I asked students, “Why did you highlight that?” they always had an answer. My response was always, “Write down what you just said! That’s your talk to the text!” Usually this was all the encouragement students needed to begin. Gradually I saw students independently produce more complex annotation. In the example below, Flor, a long-term English Language Learner and one of my focal students, quickly began to exceed the indicators of success. She selectively highlighted using her own color coding key and her talk to the text not only revealed that she understood the text, but also that she analyzed it using the lens of oppression.   While Flor was meeting my indicators for successful annotation, she still sometimes struggled to connect her annotations to comprehension/analysis questions. Thus, even though she understood the text, something got lost in the transfer of that understanding when she had to use the information to answer a question. For example, in response to a question that related to her excellent annotation, she produced the following:

Opening the Can of Spinach: Understanding the Power of Annotation for English Learners

November 17, 2016

Eva Marie Oliver “Reading for school is different than reading for pleasure... That’s why you make us annotate, Ms. O. ‘Talking to the text’ makes us slow down and think.” This statement represents a huge “aha” moment that one of my 8th graders had this year -- one I hope all of my students arrive at (in one way or another) during the two years that I spend with them in 7th-grade English and 8th-grade Humanities. His comment illustrates the important move (or shift of mindset) from dependent, passive reading to independent, active reading that all students must make when they are reading to access, play with, learn, and demonstrate understanding of content in our classrooms. For this reason, for my inquiry with Mills Teacher Scholars this year, I chose to focus on bolstering my teaching of annotation, or the “reading with purpose,” of informational texts (i.e. articles, case studies, etc.). I already had a basic practice for encouraging students to interact with text. So, with the support of Mills Teacher Scholars and collaboration with my teaching partner, Shelley Goulder, I hoped that a more focused intentionality around that practice would move more of my students -- especially my long term English language learners (LTELs) -- toward independent, active reading. Established Practice: With my 7th-grade ELA students, early on in the year, I modeled the strategy above, using think-alouds and having the students evaluate my annotations. Then, I released them to begin using the strategy on their own, collecting their work as a formative assessment. Quickly, I realized that my cursory explanation was enough for some students, but it was insufficient for most students, especially my LTELs like Alondra and Leah, two of my focal students. Alondra’s work from October 2015: From careful examination of Alondra’s work with my teaching partner and Mills Teacher Scholars facilitator, I learned that she could not yet use the tool of annotation (nor the strategy I had modeled) to help her read for understanding or with purpose. The overwhelming amount of yellow and lack of Alondra’s written thoughts on the page told me that she did not yet know how to selectively highlight or “talk to the text” in ways that revealed her work toward comprehension. Troubled, I compared Alondra’s work to Iris’s -- an 8th grader who had become an exceptional annotator. Iris’s work from September 2015: Iris had it -- the ability to use annotation as a tool for reading comprehension, evident in her annotations themselves and use of her annotations in comprehension questions, class discussions, and more summative assessments. She developed a color-coding system for the organization of new information, she used her annotations to initiate a conversation with the text, and she asked questions when she didn’t understand. Like the can of spinach Popeye ate before any great battle in order to enter with courage, strength, and confidence, Iris’s internalized annotation practice was her way of coming up against challenging text and triumphing. Therefore, I realized that my goal for the year had to be giving all of my students the tools to open their own cans of “reading spinach."

Not The Easy Way Out: How Inquiry Helped Me Improve My Practice and Discover My Voice

October 13, 2016

Teacher Scholar Sharolander Ellis Doing inquiry work has been no easy task for me. I did not know what to expect or what my expectations were in working with Mills Teacher Scholars, and I didn’t exactly figure it out until close to the end of my second year of inquiry-based work. As an individual and teacher, I pride myself on being a lifelong learner, but I find this to be contradictory to the way teaching is structured today. Teachers are handed curricula, most of which are scripted so that we do not have to do much thinking. These guides typically include the material being taught, how to teach it, the activities, and so on, all determined by someone who doesn’t know my students at all. How could this approach be applicable or equitable for all? The thought of having something easier is appealing as we try to reach new and sometimes unrealistic expectations set by districts, but we lose sight of how this structure can work against us and our students. Each time my inquiry colleagues and I met with Mills Teacher Scholars we filled out a “Think Sheet” asking about our goals for our students, instructional changes we had made since the last meeting or were planning to make, and what we noticed was happening for individual learners. I didn’t always have substantial answers; I didn’t know or understand my true role in connecting my classroom work and Mills Teacher Scholars. I realized that I was so accustomed to being told the what’s and why’s of what we do that I didn’t have my own answers. I went through a period of frustration, vulnerability, and finally, of discovering my voice as an individual teacher.  My Inquiry Into Reader's Response The 2015-2016 school year was my second year working with Mills Teacher Scholars as a fifth-grade teacher at RISE Elementary in East Oakland. Both years I had a different inquiry focus due to changing from teaching math to English Language Arts. Since I was learning a new curriculum that year, I tried to use some of the strategies I had seen my grade-level partner use the year before, including incorporating routine opportunities for reader’s response (writing in response to reading a text). There was limited curricular support in this area at my site, so I used the same template format as my predecessor. I suppose I was taking the easy way out without much deep thinking around the process, but this is where we as new teachers in survival mode often end up. The goals of my inquiry focus seemed simple from the outset: students would write a three-paragraph reader’s response weekly that conveyed their ability to state their thinking and connect to the book through their writing. As I engaged in the inquiry process and pushed myself to think more deeply about my own expectations and my students’ learning, I realized that the reader’s response routine was more complex than I’d thought, which also proved to be true about the inquiry process itself. Expectations vs. Reality Our Reader's Response Template I gave each student a template to use in order to successfully write a reader’s response. Reader’s responses were expected to be three paragraphs long: the first paragraph introduced and summarized the book, the second paragraph included six to seven sentences that connected to a specific part of the story, and the third paragraph gave an opinion and a prediction about what would happen next. I can recall the very first reader’s response the class and I wrote together after I read aloud Home of the Brave by Katherine Applegate. I demonstrated on the projector while students wrote in their notebooks. We discussed the book, summarized it, shared sentences that we felt connected to or that struck our curiosity, and then shared our opinions, which allowed students to write their own final paragraph. This seemed to go well and set the foundation for successful independent reader’s responses….or so I thought.

Connecting to Creativity in the Elementary Art Classroom

April 13, 2016

 First grade students are amazing. They come to art class full of stories and excitement about trying something new. It’s not difficult to connect them to their creativity—give first graders an opening and their creativity flows with ease onto the paper. The three images below were done while looking at flowers in vases set up on the students’ tables: there’s a still life on an earth with people, watercolor splashed freely over an ink drawing. . .and the third image . . . this student became so engaged with using oil pastel on her painting that the still life disappeared altogether under the energetic multicolor drawing and scraping.                     In my position as Art Specialist in an elementary school, I see students grades 1 - 5. My goal is to help students keep that connection to creativity open as they move through the grades and develop the skills they need to participate in the complex thinking process that goes into creating works of art. A core component of learning in my art class revolves around this question: How can I balance helping students develop their art skills—use of tools, techniques, media and processes—and nurture and refine their ability to communicate imaginative, creative thinking in original works of art? I have devoted much of my seven-year participation in teacher action research investigating it, including the last four years of my work with Mills Teacher Scholars.

Improving First Grade Writing Partnerships Through Video

April 13, 2016

My experience reflecting with colleagues on video recordings of students' writing partnerships in our monthly Mills Teacher Scholars inquiry sessions has led me to some surprisingly simple discoveries that affect the way I teach writing over the long-term. Not only have I been able to use video to reflect on my own work, but I have been able to use the same clip as a teaching tool for my students.. The opportunity to collaboratively reflect on a short video of a writing partnership has dramatically pushed my practice forward. Writing partnerships provide students with time to express, develop and clarify thoughts about their writing with one another. Writing partnerships provide valuable time for students to express, develop, and clarify thoughts about their writing with one another. Allowing time for students to confer with each other throughout their writing process gives them space to construct their thoughts and even garner new ideas from their partners. Partnerships are a common component in our literacy curriculum, and the collaborative listening and speaking skills students develop in first grade partnerships provide groundwork for years to come. Last February, after having already established partner expectations with the class, demonstrating successful partnerships and carefully pairing students together, I set off to take a close look at writing partnerships in action. I hoped to find out what was actually happening during these peer conversations through gathering video data before my upcoming Mills Teacher Scholars inquiry session.

When Students Own Assessment

January 21, 2016

In Berkeley Unified School District, every child in the fourth and fifth grade takes instrumental music. In this ambitious and equity-focused program, each student chooses an instrument to play and to take home all year in fourth grade and all year in fifth grade. The district pays for the instruments and the repair. The teachers and the department organize the entire effort. The result is that every child in Berkeley schools, most of whom have never before played an instrument, is afforded the experience of playing an instrument, taking it home, and having it as their own personal musical instrument.  As with any large (or small) educational initiative, Berkeley Music educators must determine whether the program is meeting their goals. Are students learning to play their instruments? What are their areas of strength and weakness? And how can we ensure that system-wide assessment occurs to support learning rather than detract from learning? Steffanie Schaeffer, a Berkeley Music teacher, explored these questions through her Mills Teacher Scholars inquiry last year, ultimately influencing the assessment approach of the department as a whole. In an attempt to measure the impact of our music program, Berkeley music teachers gave all 4th and 5th grade students across the district the same written test each spring to assess their music knowledge. The music department felt the written test was not giving us the information we wanted about our students’ instrumental music learning, so we decided to give a playing test as a more authentic assessment. We experimented with different kinds of playing tests. We tried sight reading. Students cried. We tried the assessment music included in our method books. Students cried. We tried having them play their favorite prepared song, with downward grade adjustments for choosing a really easy song. They didn’t cry, but they chose the easiest song available. After all, it wasn’t going to affect their grade. But this begs the question, if it wasn’t going to affect their grade, why did they cry or avoid a mildly risky situation? Students want to do well. They want their peers to respect them. They want to feel successful. But in every attempt to assess their playing, we put them in a situation where none of these things were possible. It was publicly humiliating. So, many of our 4th and 5th grade students cried or took the easy way out. My frustration with this whole process led me to my Mills Teacher Scholars Inquiry focus. I wanted to create an end-of-year playing assessment that didn’t make the students cry, or cause them to take the least risk possible so I decided to pursue the question : “How can I create a 5th grade performance assessment that has a true correlation to a student’s ability level and is a tool for further learning, both in my teaching and in their reflective process?”

Writing Workshop Success Through Social Emotional Learning

January 21, 2016

As we support our teacher scholars from across the East Bay to engage in making sense of the Common Core standards, we are hearing a repeated refrain: student success hinges on their Social Emotional Learning (SEL) competencies. Indeed, there is wide-spread agreement that the SEL competencies are foundational to achieving the communication, collaboration, critical thinking, and creativity goals embedded in the Common Core State Standards. But how do teachers support this competency building while developing content understanding? Mills Teacher Scholars is excited to be in partnership with OUSD’s Social Emotional Learning and Leadership Development and the Center for the Collaborative Classroom to explore this question with a group of teacher scholars from Oakland’s Caring School Community Learning Hub Schools. In this blog post, Garfield Elementary teacher Ruanna Owens reflects on what she learned through the inquiry process about supporting the partnership skills students need for successful writing conferences.  In the winter of my first year teaching third grade, at the time that I started my Teacher Scholars inquiry, my classroom community was struggling. My students were constantly arguing with each other, and many of them did not feel competent in their reading, writing, and/or math skills. I believe in the importance of helping my students develop the relationship skills needed to work well with each other and in psychologist Lev Vygotsky’s idea that interactions with peers are also an effective way of developing students’ skills and strategies. Nevertheless, I felt like I was not giving my students enough time to collaborate in a meaningful way with their classmates due to time constraints within our daily schedule. I wanted to use my Teacher Scholars inquiry work to address this and determined that Writing Workshop held tremendous potential for students to grow their own skills and confidence as writers and build relationships with their peers through working together and sharing parts of themselves in their writing. While fourth and fifth grade had engaged in Writing Workshop the previous year, this was the first year third graders had been exposed to this approach to learning. I quickly learned that my students needed significant explicit instruction and scaffolding surrounding writing, specifically with transferring what was taught in the mini-lesson to their own writing. Students often complained that they didn’t know what to write, and were constantly asking me to help them every step of the way, sentence by sentence. Through writing partnerships I hoped that they could build some autonomy. In my initial inquiry sessions, I determined that my specific learning goal for my students involved them: Listening to each other during writing conferences Giving and receive feedback Incorporating that feedback into their writing “She’s not listening to me!”: Initial Findings I couldn’t wait to get started collecting my data for my inquiry sessions. I had visions of students eagerly reading each others’ work, listening attentively to their partners and really taking charge of their own writing. However, when I began implementing what I thought were small changes to my workshop— like giving them five to ten extra minutes to share their work and talk with one another— I realized that nothing was changing at all. “She’s not listening to me!” complained one student. “I can’t read that,” said another student in a harsh tone, referring to his partner’s handwriting. When many students read their writing aloud to their partner on the rug, they faced the front of the room, not talking to anyone in particular, while their partner looked anywhere in the room but at their partner or their writing. At first, I was disappointed— I thought that my inquiry had failed. They clearly were not meeting my learning goal. Modifying and Narrowing My Focus to Bolster Student Success